He was so handsome that you didn’t even mind that Radiohead played during his first moment on screen. “How would Jay Gatsby feel looking across at Daisy’s green light? Oh, how I feel looking at my old face.” “What face should I make while eating this bison heart? Oh, the face I make while looking at my perfect teenage face.” Leo really was a perfect Romeo, with hair that flopped perfectly and eyes that could moon like none other in 1996. Young Leonardo DiCaprio: Sometimes I imagine Leo looking back at the babyfaced, lovesick version of himself in Romeo + Juliet and using it as source material for his anguish. Here is a list of definitively good things about this film, even in 2016: Join us as we present Are We Sure It’s Good? - Baz Luhrmann’s Romeo + Juliet.įirst, let us start with its positive attributes. Our task today: to definitively answer that question. Romeo + Juliet is a prescient collection of social media moments, but is it watchable for anyone past the age of 10? In fact, after revisiting the movie on the occasion of its 20th anniversary, I developed a sneaking suspicion that it might even be … bad? Overdone? Embarrassing at the very least. Romeo + Juliet is the perfect encapsulation of an era: peak ’90s, peak Leo, peak rave, peak soundtrack.īut that doesn’t make it a good movie. There will never be a better Leonardo DiCaprio. The fish tank meet-cute will be forever enshrined on #relationship goal Pinterest pages Claire Danes’s chin wobble remains one of the most beautiful things in the world. Romeo + Juliet was also meant to be romanticized in pop culture, perfect for clipping and Tumblring and eventually memeing. The dialogue was still in verse, because it was the ’90s, and that was the cool thing to do? It was big and audacious and batshit in a brave way. Luhrmann Michelle Pfeiffered the shit out of his Shakespeare, turning it into a messy, trippy pastiche of modern-day gang violence and rave culture. “Baz Luhrmann’s Romeo + Juliet is so good.”Ī brief refresher on the 1996 movie adaptation of Romeo and Juliet for those of you who were not in middle school at the time and thus likely do not cling to the film as a landmark Leonardo DiCaprio discovery vehicle: It is a lot. This movie is so good!”Īnd that is the opinion I accepted for the next 20 years. “We can leave and go back to my house and play Barbies,” I suggested to my friend. She regretted this choice after the first scene - a bullet-riddled, profanity-laced showdown between the Capulets and Montagues - and I sort of did too. Despite a very advanced PG-13 rating, my mother took me and a friend to the theater to see it she considered it educational. I was 10 or 11 when I saw Baz Luhrmann’s Romeo + Juliet for the first time.
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